John Piper

John Piper was born in 1903. The son of a successful London solicitor, he studied law until the age of twenty-three when his father died, and in 1926 he began his long artistic career, first at the Richmond School of Art and then under Sir William Rothenstein at the Royal College of Art.

From 1926 to 1940 John Piper supplemented his income by reviewing art, books and plays and began to make a reputation by illustrating his articles for the Architectural Review with his own drawings. During this time, he was active with his paintings and in the years from 1939 to 1940 they began to sell. In 1940, John Piper was appointed an official war artist.

In 1941 he produced the first series of drawings of Windsor Castle for H.M. The Queen, the late Queen Mother, and his work became increasingly prized and sought after.

After the war and in the 1950's John Piper was a Trustee of the Tate Gallery and, later, of the National Gallery and a member of the Arts Council Art Panel. In 1959 for nineteen years he became a member of the Royal Fine Art Commission and in 1971 he was appointed a Companion of Honour in recognition of his services to art. From 1937 he worked and lived at his studio farmhouse in Oxfordshire with his wife Myfanway.

Apart from his paintings and graphics John Piper is also well known for his stained glass windows for the new Coventry Cathedral, the windows for Eton College Chapel and in collaboration with Patrick Reyntiens for Liverpool's Roman Catholic Cathedral.

From 1940 John Piper held many solo exhibitions and his works are exhibited in galleries throughout the world, from the Tate Gallery, London to the Museum of Modern Art, New York.

John Piper worked in the graphics field for many years, having started Contemporary Lithographs in 1936 in co-operation with Robert Wellington and the Curwen and Baynard Press. In 1964, Marlborough published twenty-four original lithographs called "A Retrospective of Churches" which is one of his best known suites of graphics.
In 1983 the Tate Gallery held a retrospective of John Piper's work to celebrate his eightieth birthday. The Bohun Gallery has long been associated with John Piper, and continues to exhibit his work on a regular basis.

To read Burlington Magazine's review of Bohun Gallery's 2014 John Piper exhibition Click Here

John Piper and the Church
21st April - 10th June 2012 To view a clip of the exhibition:
Click here

'John Piper and the Church' was an important loan exhibition of paintings, stained glass and tapestry designs, drawings and ecclesiastical vestments. Curated by Patricia Jordan Evans, Director of Bohun Gallery, on behalf of the Friends of Dorchester Abbey as a celebration of HM The Queen's Diamond Jubilee. Please contact the Bohun Gallery for a copy of the catalogue.

Click any image to see a larger view

Alpilles, 1989

Etching & aquatint
16 x 24.25 ins

Blenheim Gates

Screenprinted Sanderlin textile
15.5 x 20.5 ins

Cascade Bridge, Halswell 21/70, 1987

18.25 x 26.5 ins

Clytha Castle, 1976

10 x 15 ins

Death in Venice II

31 x 27 ins

Death in Venice: Side Panel Right, 1973

30 x 27 ins

Duchene Fountain, Blenheim, 1989

23.5 x 16.5 ins

Eye and Camera: Flame Four, 1967

47.9 x 65.9 cms

Facade, 1987

17.75 x 23 ins

Figures from a Seal, 1954

8¼ x 6 ins

Flintham Hall 10/75, 1977

20.5 x 27.5 ins

Florence Relief, 1967

18.5 x 25.7 ins

Foliate Heads II 72/75, 1975

30¼ x 22¾ ins

High Cross, Hampshire, 1977

Watercolour & mixed media
15 x 22 ins

India Love Poems I, 1977

Kelham Hall 47/75, 1977

18¾ x 27¼ ins

Les Junies, 1989

Etching & aquatint
16 x 22 ins

Locmariaquer, Brittany, 1990

Etching & aquatint
16¼ x 24 ins

Montpellier-de-Didonne, Charente 58/70, 1968

30¼ x 22 ins

Pembrokeshire abstract, c1966

Watercolour & mixed media
9½ x 13½ ins

Snape Maltings Concert Hall, 1979

30 x 20 ins

Study for Death in Venice, c1972

Mixed media
14.5 x 22.5 ins

The Quest, 1979

18 x 27 ins

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